From Kowloon to Brooklyn

Growing up in the neon-drenched alleys of Hong Kong, I learned to see in the dark. The city was a pressure cooker of motion, steam, and low-light theater.

Now operating in the United States, I bring that melancholic nostalgia to the vast, gritty scale of American streets. I work with what the night gives us, capturing unpolished truths on 35mm.

Working with the night

No pristine studio setups. No sanitized digital perfection. Only the raw friction of the streets, captured under sodium vapor and halogen haze.

Screenings and Press

Sundance Film

Aperture Magazine

Indie Film Fest

Official selection in the narrative shorts category, highlighting raw street realism and uncompromising analog composition in low-light environments.

Featured editorial profile on the transition of cinematic styles from East to West, focusing on high-contrast nightscapes.

Awarded best cinematography for high-contrast, low-light night portraiture and capturing the raw energy of urban transition.